ÿþ<html> <head> <title>S-Composizione</title> <meta http-equiv="Content-Type" content="text/html; charset=windows-1252; pragma=no-cache"> <meta name="Author" content="Daniele Centamore" /> <meta name="Publisher" content="Daniele Centamore" /> <meta name="Copyright" content="www.sponga.com" /> <script language="JavaScript"> <!-- function MM_swapImgRestore() { //v3.0 var i,x,a=document.MM_sr; for(i=0;a&&i<a.length&&(x=a[i])&&x.oSrc;i++) x.src=x.oSrc; } function MM_preloadImages() { //v3.0 var d=document; if(d.images){ if(!d.MM_p) d.MM_p=new Array(); var i,j=d.MM_p.length,a=MM_preloadImages.arguments; for(i=0; i<a.length; i++) if (a[i].indexOf("#")!=0){ d.MM_p[j]=new Image; d.MM_p[j++].src=a[i];}} } function MM_swapImage() { //v3.0 var i,j=0,x,a=MM_swapImage.arguments; document.MM_sr=new Array; for(i=0;i<(a.length-2);i+=3) if ((x=MM_findObj(a[i]))!=null){document.MM_sr[j++]=x; if(!x.oSrc) x.oSrc=x.src; x.src=a[i+2];} } function MM_findObj(n, d) { //v4.01 var p,i,x; if(!d) d=document; if((p=n.indexOf("?"))>0&&parent.frames.length) { d=parent.frames[n.substring(p+1)].document; 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&egrave; la &quot;S-Composizione&quot; presentata nel 2000 a Como. La realt&agrave; si presenta a stacchi netti, esaminata in forma analitica e sintetica l'insieme appare unificato e scandito dai nove quadrati che compongono l'arazzo. La presenza del nero d&agrave; una rilevanza cubista e maleviciana ed esalta la dolcezza delle garze trattate, trascoloranti in dolci colori armonici dai cromatismi solari. Questa composizione propone il senso dello scorrere e dell'intersecarsi del fluire di campiture coloristiche che assumono dimensioni di movimento.</font></p> <p>&nbsp;</p> <p align="right"><font size="4" color="#336699" face="Times New Roman, Times, serif"><i><font color="#336633">Augusta Moletto Zucchi</font></i></font>&nbsp;&nbsp;</p> <p>&nbsp;</p> <p align="center"><font face="Times New Roman, Times, serif" size="3"><img src="thumb/s-comp1.gif" align="middle"></font></p> <p align="left"><font face="Times New Roman, Times, serif" size="3"><font color="#888888">&quot;S-Composizione n.1&quot; 1998 - </font><font face="Times New Roman, Times, serif" size="3"><font color="#888888">200 x 200 cm.</font></font><font color="#888888"> <br> Opera composta da 9 elementi <br> Assemblage trapuntato a macchina, cotone, poliestere, garze, filo di ottone, plastica, </font><font face="Times New Roman, Times, serif" size="3"><font color="#888888"> </font></font><font color="#888888"> filo trasparente, tessuti e filati manipolati. </font></font></p> </td> </tr> </table> <table width="560" border="0" cellspacing="0" cellpadding="30"> <tr> <td bgcolor="#f4f4f4" align="left" valign="top" height="155"> <p><font face="Times New Roman, Times, serif" size="3"><font color="#336699" size="5"><b><font color="#336633">......M</font></b></font>arialuisa Sponga usa tecniche tessili da lei reinterpretate e modificate, come strumento pittorico alternativo, riproponendo cos&igrave; uno dei problemi cardine della Fiber Art soprattutto con l'affiancamento delle ricerche &quot;off loom&quot;, senza l'uso del telaio, ai metodi tradizionali, nonch&egrave; dell'arte in generale, cio&egrave; il rapporto tra ideazione e realizzazione. Con assemblages e manipolazioni di filati e materiali diversi crea superfici bidimensionali.</font></p> <p>&nbsp;</p> <p align="right"><font size="4" color="#336699" face="Times New Roman, Times, serif"><i><font color="#336633">Valentina Caserta</font> </i></font>&nbsp;</p> <p>&nbsp;</p> <p align="center"><br> <font face="Times New Roman, Times, serif" size="3"><img src="thumb/s-comp2.gif" align="middle"></font></p> <p align="left"><font face="Times New Roman, Times, serif" size="3"><font color="#888888">&quot;S-Composizione n.2&quot; 2000 - </font><font face="Times New Roman, Times, serif" size="3"><font color="#888888">200 x 130 cm.</font></font><font color="#888888"> <br> Opera composta da 6 elementi <br> Assemblage trapuntato a macchina, cotone, poliestere, garze, filo di rame, plastica, fiocco di lana tinto naturale, filo di plastica, rafia, filo trasparente, tessuti e filati manipolati. </font></font></p> <p>&nbsp;</p> </td> </tr> </table> </td> <td width="23" align="right" valign="top" height="1372"><img src="./right.gif" width="23" height="1700"></td> </tr> <tr> <td align="left" valign="top"><img src="left_spacer2.gif" width="196" height="200"></td> <td align="right" valign="top"><img src="right_spacer.gif" width="23" height="200"></td> </tr> <tr> <td colspan="3" align="left" bgcolor="#f4f4f4" valign="top"><img src="./bottom.gif" height="76" width="779"></td> </tr> </tbody></table> <p><font color="#336633" face="Verdana" size="1">® since 2002, Marialuisa Sponga all rights reserved</font></p> </td> </tr> </tbody></table> <map name="language"><area shape="rect" coords="705,27,766,40" href="http://www.sponga.com/sponga/sponga.html"><area shape="rect" coords="713,49,766,61" href="http://www.sponga.com/sponga/sponga_en.html"><area shape="rect" coords="697,70,764,81" href="http://www.sponga.com/sponga/sponga_de.html"></map> </body></html>